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Hawaiian Jake Shimabukuro knows how to evoke emotion out of an instrument that's been used fairly simplistically for the past century.
Ukulele artist to bring eclectic mix to Juneau 013013 AE 1 Capital City Weekly Hawaiian Jake Shimabukuro knows how to evoke emotion out of an instrument that's been used fairly simplistically for the past century.

Photo By Merri Cyr

Wednesday, January 30, 2013

Story last updated at 1/30/2013 - 2:11 pm

Ukulele artist to bring eclectic mix to Juneau

Hawaiian Jake Shimabukuro knows how to evoke emotion out of an instrument that's been used fairly simplistically for the past century.

The music - it's relaxing, it's energetic, it's crisp and quite frankly, sublime. One could call it beauty via four strings.

Many envision grass skirts, flowered leis and dark haired men and women singing peppy Hawaiian songs when they think of the ukulele. Some of that vision lingers in Shimabukuro's work. The rest, he's transformed well past tradition and into rarely traveled waters.

Part of his approach comes from his belief that he's a terrible singer. Most who play the ukulele also sing. To make the songs recognizable without a vocal aspect, Shimabukuro added the melody into the strummed song.

Shimabukuro treads into all genres - classical, jazz, blues, rock and roll, pop, flamenco - and writes some of his own pieces.

This all started when he was four years old, when his mother started to teach him.

"It's a very normal thing for all the kids to play," he said.

Once his mother showed him some of the basic cords, he couldn't put the instrument down.

"It's been my passion ever since," he said.

From then on he mostly played by ear, but Hawaii also has places where one can take ukulele courses. He took some of those courses, but because of his singing ability - or apparent lack thereof - he had to also learn how to incorporate the vocal line.

"That's the style I play now," he said. "Everything I do now is completely instrumental because I wouldn't dare open my mouth."

Shimabukuro has stuck with the instrument because he feels the power of the ukulele has yet to be fully unleashed.

"I just felt that it was a lot to be discovered in the instrument," he said. "It's a very young instrument. It's only really been around for a little over a hundred years."

Shimabukuro said the Hawaiian Natives became interested in an instrument the Portugese immigrants brought with them - a cavaquinho - and developed a similar instrument of their own.

"I just like to have fun," Shimabukuro said. "I didn't think I was going to be a great ukulele player or anything like that."

But what pushed him into the limelight was an interview he participated in for a local Hawaiian television station. It consisted of a couple questions and they asked him to perform a song. He chose George Harrison's, "While My Guitar Gently Weeps."

This was about six years ago, when YouTube was fresh out of the digital pipeline.

"It went viral," Shimabukuro said. "That's what started all of this for me."

It got 11 million views.

After it went viral he started getting calls from other artists and bands, and has been able to collaborate with people like Yo-Yo Ma, Bette Midler, Ziggy Marley and many others. Two years ago he was also invited to play for Queen Elizabeth in England.

"I never dreamed that all of these things would be happening," he said. "It's been quite the ride."

Shimabukuro can't believe how popular the ukulele is becoming outside of Hawaii, but is pleased with it. Eddie Vedder (ala Pearl Jam) released a ukulele album, country-pop singer Taylor Swift incorporated the instrument in her music, Train's "Hey Soul Sister" included the ukulele, and Paul McCartney's using it. During the Christmas season Apple featured a commercial of a little girl singing "I'll Be Home for Christmas" while strumming a ukulele.

"It just really blows me away," Shimabukuro said. "...I just want the ukulele to become a mainstream instrument like the guitar or the piano or the saxophone. For me in the future, I hope there are people who pick up the instrument and excel in a specific genre. So in the future we have the Yo-Yo Ma of the ukulele or the Miles Davis of the ukulele or the BB King of the ukulele. That's what I'm hoping for. I don't think we're far from that. I've been seeing a lot of artists picking up the ukulele and doing amazing things with it. I think there's a great future for the instrument."

Shimabukuro will be bringing his mix of sweet, blissful, rockin' ukulele music to Juneau on Feb. 11. He plays at 7:30 p.m. at Juneau-Douglas High School, as hosted by Juneau Jazz and Classics.

Shimabukuro will be playing a mix of songs, including many from his new album, "Grand Ukulele."

He's particularly excited about his new album because Alan Parsons produced it, and Shimabukuro considers him one of his great heroes.

He'll be playing in Anchorage the night before at 7:30 p.m. at the Atwood Concert Hall - Alaska Center for the Performing Arts.

Sarah Day is the editor of Capital City Weekly. She can be reached at sarah.day@capweek.com.


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